"Collection of the artist" is a polite term I use to describe my "half failures". My definition of technical success - only my point of view of course - is slapping 3-4 layers of paint in a hurry (1 per day to allow for some thinking time and planning in between layers) with the white canvas and the underpainting generating as much light as the white paint I used to balance colors in the final product. Given the element of chance involved, my likelihood of succeeding 100% of the time is "snowball in hell".
I have never tried a mat varnish before...so here I go with this overworked painting seeking some color attenuation (fogging effect with the intent of masking)! The back lit figure is a definite challenge...which, considering the layering technique I use, has to be won at the early stage of the painting. The second photograph (mat varnish) was taken on the veranda...
With regard to my quest for expressionism (one anemic step after another)...the abbreviated face associated with the fellow in the back represents an apex for me...not much to write home about you may say!
Also, in terms of the application of paint, I seem to want to gravitate towards flowing "buttery" colors...
...as opposed to colors applied with clear cut expressive brush strokes.
My challenge will be to balance these two approaches in every painting while emphasizing the first...one thing is for sure: I am still searching...
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